Breathless - The System Used to Film Movies

The effective mode of production and distribution produced by Hollywood is recognized as the studio method. The narratives of classical Hollywood cinema displayed particular essential traits discovered in the majority of studio productions. The initial is that the events on screen ought to be clear to the viewer and he must by no means be in doubt about space or time. The second is unity, which means there must be direct trigger and effect connections, third are objective-oriented characters, and fourth is closure. The other components of the film, such as mise en scene, editing, lighting, and sound turn out to be secondary to the narrative by utilizing transparent methods, which permit the viewer to spend much more interest to the narrative and much less focus to the much less crucial components of the craft. Breathless (Jean-Luc Godarard, 1960) is part of what is known as the International Art Cinema.

This program does not emphasize the narrative in most instances. Hollywood films had been created with the primary aim of becoming industrial lucrative getting stock, featuring uninteresting characters and a style which was practically transparent to the viewer. International Art Cinema departs from these conventions possessing characters that are not necessarily objective-oriented, plots in which not a great deal action requires location on screen for extended periods of time. Godard's Breathless is a ideal film to juxtapose the classical Hollywood studio method. In Breathless the mise en scene, sound, and editing are all determined by Godard's try to at as soon as duplicate and spend homage to genre, particularly film noir, and the Classical Hollywood style.

Breathless is about a petty thief who shoots a motorcycle cop and requirements to go into hiding. He returns to Paris to coax his American girlfriend to come to Italy with him and to gather cash from a person who owes it to him. This is the simple story Breathless and differs from Classical Hollywood in its execution. All of the elements of Classical Hollywood style (clarity of events, result in and effect connections, target-oriented characters, and closure) are place beneath the microscope by clever use of mise en scene, sound, editing and lighting.

The most notable editing selection in Breathless is its use of jump cuts, which get rid of the middle section of a continual shot. Not only does this distort space and time, it is disorienting to the viewer and can make events look unclear. Classical Hollywood Cinema avoids making use of jump cuts by either implementing the 30-degree rule or by use of shot/reverse shot system. Early on in the film, Michel is driving his stolen auto back to Paris the montage of his auto trip is show by means of the jump cut edit. The complete audio track remains uncut. Time is cut in the video but remains complete in the audio so there is a dissonance amongst space and time in the audio and video. This method is also implemented in a scene among Michel and a different lady in her apartment. Each characters will seemingly adjust their positions mainly because the middle part of a shot was cut out when the audio track remains continual and uncut.

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